Sequence/and/Fragment

/// //// ////// // Graduate Poetry Workshop Fall 2010

Christine Davis: 'DRINK ME' or Alice was beginning to get very tired

'DRINK ME' or Alice was beginning to get very tired


Marchessault, Janine. 'Christine Davis and the Secret Life of Screens', Christine Davis: Projections (Vancouver: Presentation House Gallery, 2006).

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Multi Sequential Poetry (A Video Exegesis) From the Augmented Reality Lab

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Ruth Ellen Kocher

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Things to Consider:

Sequence/Fragment/Long Poem/Adaptation/Lyric/Experiment/Tradition/Image/Disputed/Unpopular/ Narrative/Disruption/Impressionistic/Embraced/Cross-Genre/Performance/Innovated/Plural/Found/Cinematic/Outlaw/Conventional/Cliché/Pedestrian/Failure/Oral/Said/Device

The website is a place where writers might find visual prompts, essays, and links of interest. Students are welcome to contribute to our collection of prompts, essays, or links at any time. "Older Posts" at the bottom of the Home page will take you to additional pages of prompts.


The workshop will accommodate all forms of poetic
expression a writer is willing to submit to critique. While the workshop theme and prompts toward 'Sequence and Fragment' will hopefully inform some of the work we'll read, all work is welcome.

The reading list functions as an initial group of writers that a student might investigate during the Sequence and Fragment workshop. As a student, I would
also suggest you familiarize yourself with the work of writers invited to read in our Reading Series, the schedule of which can be found each semester on the CU Department of English on-line calendar. Readings, events, and other activities of the Creative Writing program, students, and faculty will also be posted to the Creative Writing @ the University of Colorado Facebook page.



If you’ve read something interesting, feel free to bring it to class, perhaps, share copies. I’d like our workshop to be organic and so develop as we add readings, direct or redirect our writing and reading habits, and work toward a productive creative space which contributes to a diverse writing community.

We’ll do our best to understand the writer’s, or performer’s, point of view, intent or avoidance of intent. We'll do our best to understand voice, form, departure, and other constraints and liberalizations without personalizing the work as we might our own. This workshop is not intended to accommodate poetry that is ‘right’ or ‘wrong’ … I mean for the workshop to function under the auspices of what works (for the poem and poet) and what doesn’t work.

Links of Interest:

The Thought Factory

Artcyclopedia

Roman Jakobson, from Linguistics and Poetics

A Review of Camilia Elias' The Fragment: Towards a History and Poetics of a Performative Genre

Sequential Desire: An Invitational Exhibit ...

Renaissance Sonnet Sequence: Sir Philip Sidney

Donald Revell, "Virgil Watched Them"

Better Unsaid: On Poetic Fragments, Donald Revell

Reel Poetry: “Migrations” : Poetry Documentaries : Video : The Poetry Foundation

Beatrice

Ron Silliman

Bookninja

Old Hag

The Page

The Great American Pinup

Here Comes Everybody

If: Book

The Elegant Variation

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